{"id":18,"date":"2018-09-10T01:21:12","date_gmt":"2018-09-09T22:21:12","guid":{"rendered":"https:\/\/piandaemonium.com\/el\/?page_id=18"},"modified":"2024-01-31T19:55:40","modified_gmt":"2024-01-31T16:55:40","slug":"repertorio","status":"publish","type":"page","link":"https:\/\/piandaemonium.com\/el\/repertorio\/","title":{"rendered":"\u03a1\u03b5\u03c0\u03b5\u03c1\u03c4\u03cc\u03c1\u03b9\u03bf"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

6 \u03c0\u03b9\u03ac\u03bd\u03b1 -12 \u03c0\u03b9\u03b1\u03bd\u03af\u03c3\u03c4\u03b5\u03c2<\/strong><\/h4>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
J. Cage<\/td>\n4’33\u201d<\/td>\n<\/tr>\n
G. Gershwin<\/td>\n\u0388\u03bd\u03b1\u03c2 \u0391\u03bc\u03b5\u03c1\u03b9\u03ba\u03b1\u03bd\u03cc\u03c2 \u03c3\u03c4\u03bf \u03a0\u03b1\u03c1\u03af\u03c3\u03b9 (\u03b4\u03b9\u03b1\u03bc\u03cc\u03c1\u03c6\u03c9\u03c3\u03b7- \u03bc\u03b5\u03c4\u03b1\u03b3\u03c1\u03b1\u03c6\u03ae \u0398. \u039a\u03bf\u03c4\u03b5\u03c0\u03ac\u03bd\u03bf\u03c2)<\/td>\n<\/tr>\n
S. Prokofiev<\/td>\n\u03a1\u03c9\u03bc\u03b1\u03af\u03bf\u03c2 \u03ba\u03b1\u03b9 \u0399\u03bf\u03c5\u03bb\u03b9\u03ad\u03c4\u03b1 \u2013 The Piandaemonium Suite (\u03bc\u03b5\u03c4\u03b1\u03b3\u03c1\u03b1\u03c6\u03ae \u0398. \u039a\u03bf\u03c4\u03b5\u03c0\u03ac\u03bd\u03bf\u03c2)<\/td>\n<\/tr>\n
12 \u0388\u03bb\u03bb\u03b7\u03bd\u03b5\u03c2 \u03c3\u03c5\u03bd\u03b8\u03ad\u03c4\u03b5\u03c2<\/td>\n12 \u039c\u03b9\u03bd\u03b9\u03b1\u03c4\u03bf\u03cd\u03c1\u03b5\u03c2<\/td>\n<\/tr>\n
\u039d. \u0391\u03bd\u03b1\u03b4\u03bf\u03bb\u03ae\u03c2<\/td>\nOld Jazz memories (a little suite)<\/td>\n<\/tr>\n
\u0391. \u0391\u03bd\u03b9\u03c3\u03ad\u03b3\u03ba\u03bf\u03c2<\/td>\nStyx<\/td>\n<\/tr>\n
\u0398. \u0391\u03bd\u03c4\u03c9\u03bd\u03af\u03bf\u03c5<\/td>\n\u03a4\u03c1\u03af\u03b1 \u03c0\u03bf\u03c1\u03c4\u03c1\u03b1\u03af\u03c4\u03b1<\/td>\n<\/tr>\n
\u0391. \u0392\u03b1\u03c3\u03b9\u03bb\u03b5\u03b9\u03ac\u03b4\u03b7\u03c2<\/td>\n\u03a0\u03c1\u03bf\u03c3\u03ad\u03b3\u03b3\u03b9\u03c3\u03b7 II<\/td>\n<\/tr>\n
\u0393. \u039a\u03bf\u03c5\u03bc\u03b5\u03bd\u03c4\u03ac\u03ba\u03b7\u03c2<\/td>\nTypewriter tune<\/td>\n<\/tr>\n
\u0393. \u0395. \u039b\u03b1\u03b6\u03b1\u03c1\u03af\u03b4\u03b7\u03c2<\/td>\n\u039d\u03cc\u03c3\u03c4\u03bf\u03c2<\/td>\n<\/tr>\n
\u0393. \u0395. \u039b\u03b1\u03b6\u03b1\u03c1\u03af\u03b4\u03b7\u03c2<\/td>\n\u03a4\u03b1\u03be\u03af\u03b4\u03b9\u03b1 \u03c4\u03c9\u03bd \u03bd\u03b5\u03c1\u03ce\u03bd<\/td>\n<\/tr>\n
\u03a7. \u03a0\u03b1\u03c0\u03b1\u03b3\u03b5\u03c9\u03c1\u03b3\u03af\u03bf\u03c5<\/td>\nThe musical suite<\/td>\n<\/tr>\n
\u03a3. \u03a4\u03c3\u03b9\u03bb\u03b9\u03b3\u03ba\u03b9\u03c1\u03af\u03b4\u03b7\u03c2<\/td>\nIn C Lines 6*2 (2023)<\/td>\n<\/tr>\n
\u039c. \u03a7\u03b1\u03c4\u03b6\u03b9\u03b4\u03ac\u03ba\u03b9\u03c2<\/td>\n3 \u03c4\u03c1\u03b1\u03b3\u03bf\u03cd\u03b4\u03b9\u03b1 \u03b3\u03b9\u03b1 \u03bc\u03b9\u03ba\u03c4\u03ae \u03c7\u03bf\u03c1\u03c9\u03b4\u03af\u03b1 \u03ba\u03b1\u03b9 6 \u03c0\u03b9\u03ac\u03bd\u03b1 (\u03b4\u03b9\u03b1\u03c3\u03ba\u03b5\u03c5\u03ae \u039a. \u03a7\u03ac\u03c1\u03b4\u03b1\u03c2)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/strong>6 \u03c0\u03b9\u03ac\u03bd\u03b1 – 6 \u03c0\u03b9\u03b1\u03bd\u03af\u03c3\u03c4\u03b5\u03c2<\/strong><\/h4>\n\n\n\n\n\n\n\n\n\n
G. Fitkin<\/td>\nLine<\/td>\n<\/tr>\n
J. Psathas<\/td>\nVoices at the End (2018)<\/td>\n<\/tr>\n
S. Reich<\/td>\nSix pianos<\/td>\n<\/tr>\n
\u039c. \u0398\u03b5\u03bf\u03b4\u03c9\u03c1\u03ac\u03ba\u03b7\u03c2<\/td>\n4 \u03c4\u03c1\u03b1\u03b3\u03bf\u03cd\u03b4\u03b9\u03b1 \u03b3\u03b9\u03b1 \u03bc\u03b9\u03ba\u03c4\u03ae\u00a0 \u03c7\u03bf\u03c1\u03c9\u03b4\u03af\u03b1 \u03ba\u03b1\u03b9 6 \u03c0\u03b9\u03ac\u03bd\u03b1 (\u03c0\u03b9\u03b1\u03bd\u03b9\u03c3\u03c4\u03b9\u03ba\u03ae \u03b5\u03c0\u03b5\u03be\u03b5\u03c1\u03b3\u03b1\u03c3\u03af\u03b1 \u039a. \u03a7\u03ac\u03c1\u03b4\u03b1\u03c2)<\/td>\n<\/tr>\n
\u0393. \u039c\u03b5\u03c4\u03b1\u03bb\u03bb\u03b9\u03bd\u03cc\u03c2<\/td>\n\u039a\u03b1\u03b9 \u03c3\u03c5 \u03c4\u03bf\u03bd \u03cd\u03bc\u03bd\u03bf\u03bd \u03b4\u03ad\u03be\u03bf\u03c5\u2026<\/td>\n<\/tr>\n
\u0394. \u039f\u03b9\u03ba\u03bf\u03bd\u03cc\u03bc\u03bf\u03c5<\/td>\nAnd Then There Was Light (2023)<\/td>\n<\/tr>\n
\u039d. \u03a3\u03ba\u03b1\u03bb\u03ba\u03ce\u03c4\u03b1\u03c2<\/td>\n\u0388\u03be\u03b9 \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03bf\u03af \u03c7\u03bf\u03c1\u03bf\u03af (\u03bc\u03b5\u03c4\u03b1\u03b3\u03c1\u03b1\u03c6\u03ae \u0398. \u039a\u03bf\u03c4\u03b5\u03c0\u03ac\u03bd\u03bf\u03c2)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

4 \u03c0\u03b9\u03ac\u03bd\u03b1 – 4 \u03c0\u03b9\u03b1\u03bd\u03af\u03c3\u03c4\u03b5\u03c2<\/strong><\/h4>\n\n\n\n\n\n
J. S. Bach<\/td>\n\u039a\u03bf\u03bd\u03c3\u03ad\u03c1\u03c4\u03bf \u03b3\u03b9\u03b1 4 \u03c0\u03b9\u03ac\u03bd\u03b1 \u03ba\u03b1\u03b9 \u03bf\u03c1\u03c7\u03ae\u03c3\u03c4\u03c1\u03b1, BWV 1065<\/td>\n<\/tr>\n
D. Milhaud<\/td>\nParis<\/td>\n<\/tr>\n
\u0392. \u039d\u03b9\u03ba\u03bf\u03bb\u03ac\u03bf\u03c5<\/td>\nQuadra<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

2 \u03c0\u03b9\u03ac\u03bd\u03b1 – 4 \u03c0\u03b9\u03b1\u03bd\u03af\u03c3\u03c4\u03b5\u03c2<\/strong><\/h4>\n\n\n\n\n\n\n\n\n
L. v. Beethoven – A. Horn<\/td>\n\u03a4\u03b1 \u03b5\u03c1\u03b5\u03af\u03c0\u03b9\u03b1 \u03c4\u03c9\u03bd \u0391\u03b8\u03b7\u03bd\u03ce\u03bd, \u03ad\u03c1\u03b3\u03bf 113<\/td>\n<\/tr>\n
G. Bizet – M. Wilberg<\/td>\n\u03a6\u03b1\u03bd\u03c4\u03b1\u03c3\u03af\u03b1 \u03c3\u03b5 \u03b8\u03ad\u03bc\u03b1\u03c4\u03b1 \u03c4\u03b7\u03c2 \u03cc\u03c0\u03b5\u03c1\u03b1\u03c2 Carmen<\/td>\n<\/tr>\n
P. Grainger<\/td>\nRandom Round (1954), \u03b3\u03b9\u03b1 5 \u03c0\u03b9\u03b1\u03bd\u03af\u03c3\u03c4\u03b5\u03c2<\/td>\n<\/tr>\n
C. Saint-Sa\u00ebns – E. Guiraud<\/td>\nDanse Macabre, \u03ad\u03c1\u03b3\u03bf 40<\/td>\n<\/tr>\n
F. Schubert – E. Pauer<\/td>\n\u03a3\u03c4\u03c1\u03b1\u03c4\u03b9\u03c9\u03c4\u03b9\u03ba\u03cc \u03b5\u03bc\u03b2\u03b1\u03c4\u03ae\u03c1\u03b9\u03bf \u03b1\u03c1. 1 \u03c3\u03b5 \u03c1\u03b5 \u03bc\u03b5\u03af\u03b6\u03bf\u03bd\u03b1, \u03ad\u03c1\u03b3\u03bf 51<\/td>\n<\/tr>\n
R. Wagner – L. Rock<\/td>\nTannh\u00e4user overture<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

2 \u03c0\u03b9\u03ac\u03bd\u03b1<\/strong> – 2 \u03c0\u03b9\u03b1\u03bd\u03af\u03c3\u03c4\u03b5\u03c2<\/strong><\/h4>\n\n\n\n\n
E. Satie<\/td>\nLa belle excentrique<\/td>\n<\/tr>\n
P. I. Tchaikovsky<\/td>\n\u03a3\u03bf\u03c5\u03af\u03c4\u03b1 \u03b1\u03c0\u03cc \u03c4\u03bf\u03bd \u039a\u03b1\u03c1\u03c5\u03bf\u03b8\u03c1\u03b1\u03cd\u03c3\u03c4\u03b7<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

1 \u03c0\u03b9\u03ac\u03bd\u03bf – 4 \u03c0\u03b9\u03b1\u03bd\u03af\u03c3\u03c4\u03b5\u03c2<\/strong><\/h4>\n\n\n\n
A. Lavignac<\/td>\nGallop marche<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

1 \u03c0\u03b9\u03ac\u03bd\u03bf – 3 \u03c0\u03b9\u03b1\u03bd\u03af\u03c3\u03c4\u03b5\u03c2<\/strong><\/h4>\n\n\n\n\n\n
S. Rachmaninoff<\/td>\n\u0392\u03b1\u03bb\u03c2<\/td>\n<\/tr>\n
<\/td>\nRomance<\/td>\n<\/tr>\n
A. Schnittke<\/td>\n\u0391\u03c6\u03b9\u03ad\u03c1\u03c9\u03bc\u03b1 \u03c3\u03c4\u03bf\u03c5\u03c2 \u03a3\u03c4\u03c1\u03b1\u03b2\u03af\u03bd\u03c3\u03ba\u03c5, \u03a0\u03c1\u03bf\u03ba\u03cc\u03c6\u03b9\u03b5\u03c6 \u03ba\u03b1\u03b9 \u03a3\u03bf\u03c3\u03c4\u03b1\u03ba\u03cc\u03b2\u03b9\u03c4\u03c2 (1979)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text] 6 \u03c0\u03b9\u03ac\u03bd\u03b1 -12 \u03c0\u03b9\u03b1\u03bd\u03af\u03c3\u03c4\u03b5\u03c2 J. Cage 4’33\u201d G. Gershwin \u0388\u03bd\u03b1\u03c2 \u0391\u03bc\u03b5\u03c1\u03b9\u03ba\u03b1\u03bd\u03cc\u03c2 \u03c3\u03c4\u03bf \u03a0\u03b1\u03c1\u03af\u03c3\u03b9 (\u03b4\u03b9\u03b1\u03bc\u03cc\u03c1\u03c6\u03c9\u03c3\u03b7- \u03bc\u03b5\u03c4\u03b1\u03b3\u03c1\u03b1\u03c6\u03ae \u0398. \u039a\u03bf\u03c4\u03b5\u03c0\u03ac\u03bd\u03bf\u03c2) S. Prokofiev \u03a1\u03c9\u03bc\u03b1\u03af\u03bf\u03c2 \u03ba\u03b1\u03b9 \u0399\u03bf\u03c5\u03bb\u03b9\u03ad\u03c4\u03b1 \u2013 The Piandaemonium Suite (\u03bc\u03b5\u03c4\u03b1\u03b3\u03c1\u03b1\u03c6\u03ae \u0398. \u039a\u03bf\u03c4\u03b5\u03c0\u03ac\u03bd\u03bf\u03c2) …<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-18","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/piandaemonium.com\/el\/wp-json\/wp\/v2\/pages\/18","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/piandaemonium.com\/el\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/piandaemonium.com\/el\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/piandaemonium.com\/el\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/piandaemonium.com\/el\/wp-json\/wp\/v2\/comments?post=18"}],"version-history":[{"count":10,"href":"https:\/\/piandaemonium.com\/el\/wp-json\/wp\/v2\/pages\/18\/revisions"}],"predecessor-version":[{"id":278,"href":"https:\/\/piandaemonium.com\/el\/wp-json\/wp\/v2\/pages\/18\/revisions\/278"}],"wp:attachment":[{"href":"https:\/\/piandaemonium.com\/el\/wp-json\/wp\/v2\/media?parent=18"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}